Abigail DeVille

Abigail DeVille

  Abigail DeVille Return to Artist List   WorksArtist Statement & CV   Midsummer Event Horizon, 2014, stage/set installation, accumulated debris form 2 junkyards in Stratford Ontario. Metal corrugated sheets, household items, logs, silver foil, chairs, paint, plywood,vintage beds, scrap wood. Midsummer Event Horizon, 2014, stage/set installation, accumulated debris form 2 junkyards in Stratford Ontario. Metal corrugated sheets, household items, logs, silver foil, chairs, paint, plywood,vintage beds, scrap wood. Intersection 2014, reclaimed plywood theater flats, lumber, accumulated debris, 17"x14"x8" Intersection 2014, reclaimed plywood theater flats, lumber, accumulated debris, 17"x14"x8" Negation: Dusk to Dust, 2013, scattered debris, canvas, American flags, white oil paint, plaster, plaster dust, red light bulb, Dimensions: variable Subjugation, 2013, plaster dust, oil bar, craft paper, plaster, yellow light bulb, black paint, Dimensions: variable Gastown Follies, 2013, reclaimed roofing materials, tar paper, lumber, trash bags, sheetrock, mirror, cardboard, collected debris, 15ft x 9ft x 30ft Gastown Follies, 2013, reclaimed roofing materials, tar paper, lumber, trash bags, sheetrock, mirror, cardboard, collected debris, 15ft x 9ft x 30ft, Artspeak, Gastown, Vancouver, BC Wild Seed, 2013, reclaimed Venetian piles, plastic tarps, trash bags, dirt, paint, roofing material, 23ft x 15ft x17ft Wild Seed, 2013, reclaimed Venetian piles, plastic tarps, trash bags, dirt, paint, roofing material, 23ft x15ft x17ft XXXXXXX, 2013, reclaimed lumber, accumulated debris, plastic tarps, tar paper, dirt, sand from Lake Michigan, skeleton, chalk, 186 sq ft XXXXXXX, 2013, reclaimed lumber, accumulated debris, plastic tarps, tar paper, dirt, sand from Lake Michigan, skeleton, chalk, 186sq ft Haarlem Tower of Babel, 2012, 6ft x 6ft x 16ft, Site: Studio Museum Harlem Street Life: A Vortex, 2012, accumulated debris, scavenged materials,...
Sara Magenheimer

Sara Magenheimer

  Sara Magenheimer Return to Artist List   WorksArtist Statement & CVVideo   Installation Photo of "Which arbitrary thing are you", 7 min. video loop played continuously throughout the exhibition, viewable from the street Distracted Woman, Church Scene, 2014, Ceramic, ping pong ball, ceramic hand, steel wire, photograph, Part of a series of works collectively referred to as "The Extras." Michael Jackson Body Double, 2014, Ceramic, steel wire, photograph, Part of a series of works collectively referred to as "The Extras." Sun Room 1#, 2014, 56" x 37", Photo mounted on wallpaper mural panel mounted on Sintra Sun Room #2, 2014, 56" x 37", Photo mounted on wallpaper mural panel mounted on Sintra Installation Photo Seven Signs that Mean Silence, 2013, 11 min HD video loop projection Installation Photo Seven Signs that Mean Silence, 2013, 11 min HD video loop projection Installation Photo of Seven Signs that Mean Silence, 2013, 11 min HD video loop projection Seven Signs that Mean Silence Booklet, 2013 Seven Signs that Mean Silence Booklet, 2013 Seven Signs that Mean Silence Script booklet, 2013 Detail "Zen Snoopy Table", 2013, 8 ft. square table, 18" high, covered in ceramic tile, handmade ceramic vessels, cardboard box, pleather, foam, fabric, fake fruit, fake breast, photographs, postcards, book, earplugs, painted peanuts, packing peanuts, "Snoopy Super Mom" t-shirt Detail "Zen Snoopy Table" 2013, 8 ft. square table, 18" high, covered in ceramic tile, handmade ceramic vessels, cardboard box, pleather, foam, fabric, fake fruit, fake breast, photographs, postcards, book, earplugs, painted peanuts, packing peanuts, "Snoopy Super Mom" t-shirt, Detail "Zen Snoopy Table", 20138 ft. square table, 18" high, covered in ceramic...
Mary Simpson

Mary Simpson

Mary Simpson Return to Artist List WorksArtist Statement & CV   Glass Puzzle (Installation View), Simone Subal, New York, 2014 Marsyas, 2014, Oil on canvas, 50 x 90 inches Marsyas (detail), 2014, Oil on canvas, 50 x 90 inches Untitled, 2014, Oil on canvas, 50 x 90 inches Glass Puzzle (Installation view), Simone Subal, New York 2014 Off Hours, 2014, Oil on canvas, 60 x 66 inches No Drink, No Talk, Just Beautiful (Installation view), On Stellar Rays, New York Boys or Women, 2014, Oil on Canvas, 50 x 90 inches This Gone This Bone, 2014, Oil on canvas, 28 x 30 inches No Drink, No Talk, Just Beautiful (Installation view), On Stellar Rays, New York 2014 Fanfare, 2014, Oil on canvas, 50 x 90 inches Only Mirrors Make Eyes at Mirrors, Mary Simpson and Tom Burr Almine Rech Gallery, Brussels, 2011, Wood, metal, stain, paint, with Mary Simpson's RR, 16mm film IF NOW THEN (Seeing Better), Contact sheet for 'Seeing Better' Section organized and edited by Lucy Raven, Whitney Biennial Catalog, 2012, 36 x 22 inches Studio installation view, By By By (detail), 2014, Oil on canvas, 50 x 90 inches   What is my work about? Painting will always be relevant because painting lives in every medium. (For example: painting as performance in the work of Jutta Koether or projected backdrops of Joan Jonas; as photography in the installations of Liz Deschenes; as sculpture in the monochromes of Anne Truitt). My practice is in painting and moving images. While viewing a painting I closely consider the way it changes: layers, color and light revealing moments beyond the...
Kameelah Rasheed

Kameelah Rasheed

  Kameelah Rasheed Return to Artist List   WorksArtist Statement & CV   No Instructions for Assembly, I (Installation Shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation Shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation Shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Original Photograph from Installation), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Original Photograph from Installation), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation Shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Original Photograph from Installation), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Original photo from nstallation), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, I (Installation shot), Solo Installation, 2013, Real Art Ways, Hartford, CT No Instructions for Assembly, Activation IV (Installation Shot), 2014, Group Show "If They Built It", New York, NY No Instructions for Assembly, Activation IV (Installation Shot), 2014, Group Show "If They Built It", New York, NY No Instructions for Assembly, Activation IV (Installation Shot), 2014, Group Show "If They Built It", New York, NY No Instructions for Assembly, Activation IV (Installation Shot), 2014, Group Show "If They Built...
Maia Cruz Palileo

Maia Cruz Palileo

  Maia Cruz Palileo Return to Artist List   WorksArtist Statement & CV   The Visitors, Oil on canvas, 48" x 36", 2014 The Blind Farm Dog, Oil on canvas, 48" x 36", 2014 Uncles Drinking Beer I, Oil on panel, 14" x 11", 2013 The Bed, Oil on canvas, 60" x 52", 2013 The Woods, Oil on canvas, 60" x 52", 2013 Canadian Landscapes, Oil on panel, 18" x 24", 2013 Dog Pillow, Oil on canvas, 33" x 48", 2013 Still Life with Banana Catsup, Oil on canvas, 30" x 24", 2014 The Old Table, Oil on canvas, 32" x 24", 2014 B-ball, Oil on canvas, 42" x 40", 2013 Rusty's Log, Oil on canvas, 24" x 18", 2014 Uncles Drinking Beer II, Oil on canvas, 24" x 36", 2013 Veils, Oil on canvas, 24" x 18", 2014 The General's Visit, Oil on canvas, 8" x 6", 2014 Titas in Bulacan, Oil on canvas, 24" x 24", 2013 Nochebuena, Oil on canvas, 33" x 48", 2013   What is my work about? Migration and the permeable concept of home are constant themes in my paintings. Influenced by oral history of my family?s arrival in America from the Philippines and growing up in the Midwest, I infuse these narratives with memory and imagination. When stories and memories are subjected to time and constant retelling, the narratives become questionable, bordering the line between fact and fiction while remaining cloaked in the convincingly familiar.   Artist Statement Frozen in a state of unresolved mystery, my paintings reveal the quiet culture of family secrets and the shadows they cast on the present....